I explore embodiment in the midst of global migration in this video installation and performance. I represent the practice of pasalubong (welcoming gift given upon returning “home”) as a performative and negotiated act of reconfiguring self and home. I visualize diasporic intimacy by embodying the multiplicity inherent in being a diasporic Filipina – a part of a body politic of transnational, racialized women. Read with a political lens, the work alludes to the movement of women from the Philippines to the global north, which results from unequal economic power relations.