{"id":17,"date":"2020-08-26T13:59:21","date_gmt":"2020-08-26T17:59:21","guid":{"rendered":"https:\/\/marissalargo.com\/new\/?page_id=17"},"modified":"2023-03-22T17:17:29","modified_gmt":"2023-03-22T21:17:29","slug":"publications","status":"publish","type":"page","link":"https:\/\/marissalargo.com\/new\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"17\" class=\"elementor elementor-17\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-40f5d92 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"40f5d92\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-5acb13b9\" data-id=\"5acb13b9\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7cc337cc elementor-widget elementor-widget-heading\" data-id=\"7cc337cc\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-large\">Publications<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-345965a2 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"345965a2\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-25ae9c40\" data-id=\"25ae9c40\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-462cff12 elementor-widget elementor-widget-text-editor\" data-id=\"462cff12\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h3>Books<\/h3><p>Largo, M. (Forthcoming). <i>Unsettling Imaginaries: Decolonial Diaspora Aesthetic of Filipinx Artists in Canada.\u00a0<\/i>University of Washington Press.<\/p><p>Diaz, R., Largo, M. &amp; Pino, F. (2017).\u00a0<a href=\"https:\/\/nupress.northwestern.edu\/content\/diasporic-intimacies\">Diasporic Intimacies: Queer Filipinos and Canadian Imaginaries. Evanston, Illinois: Northwestern University Press.<\/a><\/p><p>Largo, M. (2008).\u00a0<a href=\"http:\/\/www.amazon.ca\/Pearl-Orient-Uptown-Marissa-Largo\/dp\/3639065956\">From the Pearl of the Orient to Uptown: A Collaborative Arts-Based Inquiry with Filipino Youth Activists in Montreal<\/a>. VDM, Germany. ISBN 978-3-639-06595-4<\/p><h3>Book Chapters<\/h3><p>Largo, M. (2023). Arts-Based Educational Research. In Coloma, R. S. &amp; Rhee, J. <em>Diversity, democracy, and social justice in education<\/em>. International Encyclopedia of Education (4th Edition). Elsevier Ltd.<\/p><p>Diaz, R., Largo, M., and Pino, F. (2018). Diasporic Intimacies: Queer Filipinos\/as and Canadian Imaginaries. In Haritaworn, J., Moussa, G., &amp; Ware, S. M. (Eds.), Queering Urban Justice: Queer of Colour Formations in Toronto. (pp. 84-99). Toronto: University of Toronto Press.\u00a0<\/p><p>Largo. M. (2017). Reimagining Filipina Visibility through \u201cBlack Mirror\u201d: The queer decolonial diasporic aesthetic of Marigold Santos. In Diaz, R., Largo, M. &amp; Pino, F. (pp. 99-117). Diasporic Intimacies: Queer Filipinos and Canadian Imaginaries. Evanston, Illinois: Northwestern University Press.\u00a0<\/p><p>Largo. M. (2016). Folklore Reimagined: The Decolonial Diaspora Aesthetic Marigold Santos. In Isabelle de M\u00e9rvius (pp. 118-160). Les Mythologie Singuli\u00e8res: Anna Torma, Claire Labonte, Maigold Santos. Montreal, Quebec: Les \u00c9ditions de M\u00e9rius.<\/p><p>Largo, M. (2012). From the pearl of the orient to uptown: A collaborative arts-based inquiry with Filipino youth activists in Montreal. In Coloma, R., McElhinny, B., Tungohan, E., Catungal, J. P. &amp; Davidson, L. M. (Eds.),\u00a0<a href=\"https:\/\/utorontopress.com\/ca\/filipinos-in-canada-4\" target=\"_blank\" rel=\"noopener\">Filipinos in Canada: Disturbing Invisibility<\/a>\u00a0(pp. 243-264). Toronto: University of Toronto Press.<\/p><p>Szabad-Smyth, L. &amp; Largo, M. (2008). When art meets community. In Gagnon-Bourget, F. &amp; Gosselin, P. (Eds.). Actes du colloque sur la recherche en enseignement des arts visuels. L&#8217;Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al. (back-dated 2006). Montr\u00e9al: CR\u00c9A \u00c9ditions.<\/p><p>Contributing artist in Butler, P. (ed.) (2012).\u00a0<a href=\"http:\/\/marissalargo.com\/files\/Lateral-Learning-Artist-Proof-10Mar10.pdf\" target=\"_blank\" rel=\"noopener\">Lateral learning: Disaster, pedagogy, community and art<\/a>, (pp. 99-100). Vancouver: Vantage<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-78072f6f\" data-id=\"78072f6f\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-011246a elementor-arrows-position-inside elementor-pagination-position-outside elementor-widget elementor-widget-image-carousel\" data-id=\"011246a\" data-element_type=\"widget\" data-settings=\"{&quot;slides_to_show&quot;:&quot;1&quot;,&quot;navigation&quot;:&quot;both&quot;,&quot;autoplay&quot;:&quot;yes&quot;,&quot;pause_on_hover&quot;:&quot;yes&quot;,&quot;pause_on_interaction&quot;:&quot;yes&quot;,&quot;autoplay_speed&quot;:5000,&quot;infinite&quot;:&quot;yes&quot;,&quot;effect&quot;:&quot;slide&quot;,&quot;speed&quot;:500}\" data-widget_type=\"image-carousel.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-image-carousel-wrapper swiper\" role=\"region\" aria-roledescription=\"carousel\" aria-label=\"Image Carousel\" dir=\"ltr\">\n\t\t\t<div class=\"elementor-image-carousel swiper-wrapper\" aria-live=\"off\">\n\t\t\t\t\t\t\t\t<div class=\"swiper-slide\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"1 of 2\"><a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"011246a\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTE2MiwidXJsIjoiaHR0cHM6XC9cL21hcmlzc2FsYXJnby5jb21cL25ld1wvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyMFwvMDhcL0RJLUJvb2stQ292ZXIucG5nIiwic2xpZGVzaG93IjoiMDExMjQ2YSJ9\" href=\"https:\/\/marissalargo.com\/new\/wp-content\/uploads\/2020\/08\/DI-Book-Cover.png\"><figure class=\"swiper-slide-inner\"><img decoding=\"async\" class=\"swiper-slide-image\" src=\"https:\/\/marissalargo.com\/new\/wp-content\/uploads\/2020\/08\/DI-Book-Cover.png\" alt=\"DI-Book-Cover\" \/><\/figure><\/a><\/div><div class=\"swiper-slide\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"2 of 2\"><a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"011246a\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6OTc2LCJ1cmwiOiJodHRwczpcL1wvbWFyaXNzYWxhcmdvLmNvbVwvbmV3XC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIwXC8wOFwvMjk4NzI3ODItMTAxNTYxMjEyMjY3MjAyODEtMTU2MTgyNDg0OTEzNzY1MTUwLW8uMTYwMC5qcGciLCJzbGlkZXNob3ciOiIwMTEyNDZhIn0%3D\" href=\"https:\/\/marissalargo.com\/new\/wp-content\/uploads\/2020\/08\/29872782-10156121226720281-156182484913765150-o.1600.jpg\"><figure class=\"swiper-slide-inner\"><img decoding=\"async\" class=\"swiper-slide-image\" src=\"https:\/\/marissalargo.com\/new\/wp-content\/uploads\/2020\/08\/29872782-10156121226720281-156182484913765150-o.1600.jpg\" alt=\"29872782-10156121226720281-156182484913765150-o.1600\" \/><\/figure><\/a><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-swiper-button elementor-swiper-button-prev\" role=\"button\" tabindex=\"0\">\n\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"eicon-chevron-left\"><\/i>\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-swiper-button elementor-swiper-button-next\" role=\"button\" tabindex=\"0\">\n\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"eicon-chevron-right\"><\/i>\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"swiper-pagination\"><\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-55c0876 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"55c0876\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-1a366e6\" data-id=\"1a366e6\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f702642 elementor-widget elementor-widget-text-editor\" data-id=\"f702642\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h3>Guest Editing<\/h3><p>Catungal, JP., Davidson, L., Largo, M. and Mecija, C. (Eds.) (Forthcoming in 2023). FilipiNEXT: Filipinx Studies in Canada and Beyond. <i>ALON: Journal for Filipinx American and Diasporic Studies.<\/i><\/p><p>Deer, G., Lee, C., and Largo, M. (Eds.) (2018). Beyond Canada 150: Asian Canadian Visual Cultures. Asian Diasporic Visual Cultures and the Americas, 4(1-2).<\/p><h3>Journal Articles<\/h3><p>Largo, M. (2022). Elusive Desires: Towards a Queer Feminist Asian Diasporic Approach to Museum Education and Curation. <i>Journal of Museum Education<\/i>, <i>47<\/i>(1), 44\u201358. <a href=\"https:\/\/doi.org\/10.1080\/10598650.2021.2004352\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/doi.org\/10.1080\/10598650.2021.2004352&amp;source=gmail&amp;ust=1679604151792000&amp;usg=AOvVaw2U9wXboa-aJit5_AGdMKwO\">https:\/\/doi.org\/10.1080\/<wbr \/>10598650.2021.2004352<\/a><\/p><p>Largo, M. (2018). Jamelie Hassan and Divya Mehra: Cultural Currency and Canada 150.\u00a0<i>Asian Diasporic Visual Cultures and the Americas<\/i>, 4(1-2), 189-193.\u00a0<a href=\"https:\/\/doi.org\/10.1163\/23523085-00401010\">https:\/\/doi.org\/10.1163\/23523085-00401010<\/a><\/p><p>Deer, G., Lee, C., &amp; Largo, M. (2018). Beyond Canada 150: Asian Canadian Visual Cultures.\u00a0<i>Asian Diasporic Visual Cultures and the Americas<\/i>, 4(1-2), 1-17.\u00a0<a href=\"https:\/\/doi.org\/10.1163\/23523085-00401001\">https:\/\/doi.org\/10.1163\/23523085-00401001<\/a><\/p><p>Largo, M. (2017). Transnational kinship, diasporic mourning and belonging in the Canadian animation world:\u00a0<a href=\"https:\/\/www.utpjournals.press\/doi\/full\/10.3138\/topia.38.123\">The moving images of Leslie Supnet&#8217;s gains + losses<\/a>.\u00a0<i>Topia: Canadian Journal of Cultural Studies<\/i>, 38, 5-15.<\/p><p>Largo, M. (2015). A country that does not exist: The queer decolonial aesthetic of Julius Poncelet Manapul.\u00a0<i>Asian Diasporic Visual Cultures and the Americas<\/i>,\u00a0<i>1(1)<\/i>, 108-130.<\/p><p>Szabad-Smyth, L., with contributions from Chalas, A., Duval, C., Goodfriend, T., Holt, A., Largo, M., LeBlanc, N., and Reid, N., (2005). Personal narratives of spaces, places and displacement as revealed in studio work.\u00a0<i>The Canadian Art Teacher<\/i>,\u00a0<i>5(1)<\/i>, 6-15.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-fb90356\" data-id=\"fb90356\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d612e3b elementor-widget elementor-widget-text-editor\" data-id=\"d612e3b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h3>Book Reviews<\/h3><p>Largo, M. (2018). Maura Reilly\u2019s Curatorial Activism: Towards an Ethics of Curating. RACAR: 43(2), 142-144.\u00a0<a href=\"https:\/\/www.racar-racar.com\/uploads\/5\/7\/7\/4\/57749791\/largo.pdf\">https:\/\/www.racar-racar.com\/uploads\/5\/7\/7\/4\/57749791\/largo.pdf<\/a><\/p><h3>Art Criticism<\/h3><p>Garay, E. &amp; Largo, M. (2023). At The Edge of Not Yet and No Longer. Commissioned exhibition essay for Marigold Santos | <em>the pace and rhythm of time, floating \/ ang tulin at kumpas ng oras, lumulutang<\/em><em>. <\/em>February 2023 \u2013 April, 23 2023. The Southern Alberta Art Gallery Maansiksikaitsitapiitsinikssin, 601 3 Avenue South, Lethbridge, Alberta.<\/p><p>Largo, M. (Ed.) (2021).<em> Elusive Desires: Ness Lee + Florence Yee<\/em><em>.<\/em> Exhibition Catalogue for <em>Elusive Desires: Ness Lee + Florence Yee. <\/em>Sept. 24, 2021 \u2013 Jan. 2, 2022. The Varley Art Gallery of Markham, 216 Main St Unionville, Unionville.<\/p><p>Largo, M. (2021).<em> Elusive Desires: Queer Feminist Asian Diaspora and Suburban Possibilities. <\/em>Curatorial essay for for Elusive Desires: Ness Lee + Florence Yee<em>. Sept.<\/em> 24, 2021 \u2013 Jan. 2, 2022. The Varley Art Gallery of Markham, 216 Main St Unionville, Unionville.<\/p><p>Largo, M. (2020). Subversive adaptations in diaspora: On Marigold Santos\u2019s shroud (in threadbare light). Commissioned exhibition essay for\u00a0<a href=\"https:\/\/fondation-phi.org\/en\/exhibition\/relations\/\">Relations: Diaspora and Painting<\/a>. April 23 \u2013 Sept. 15, 2020. Phi Foundation for Contemporary Art, 451 &amp; 465 Saint-Jean Street, Montreal, Quebec.<\/p><div><p>Largo, M. (2020).\u00a0<a href=\"https:\/\/dunloplearning.ca\/exhibitions\/marigold-santos\">Transmutation and diasporic subjectivity in Marigold Santos\u2019 Malaginto<\/a>.\u00a0Commissioned exhibition essay for Malaginto. Nov 8, 2019 \u2013 Jan. 12, 2020. Dunlop Art Gallery, 2311 12 Avenue, Regina, Saskatchewan.<\/p><p>Largo, M. (2017). Unsettled Imaginaries. Commissioned exhibition essay for Unsettled Imaginaries: Kuh Del Rosario, Julius Poncelet Manapul, Marigold Santos, Leslie Supnet. November 3 &#8211; December 16, 2017. A Space Gallery, 401 Richmond Street West, Suite 110, Toronto, Ontario.<\/p><p>Largo, M. (2016).\u00a0<a href=\"https:\/\/easternedge.ca\/2373-2\/\">Supernatural Entanglements and the Politics of Visibility<\/a>. Commissioned exhibition essay for Marigold Santos\u2019 MIRROR\/MOTHER (fragments). May 27 \u2013 July 5, 2016. Eastern Edge Gallery, 72 Harbour Drive, St. John\u2019s, Newfoundland.<\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-8daad43 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"8daad43\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f26a21a\" data-id=\"f26a21a\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-9e3a73c elementor-widget elementor-widget-spacer\" data-id=\"9e3a73c\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e0add59 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e0add59\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-5511321\" data-id=\"5511321\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a312f22 elementor-widget elementor-widget-spacer\" data-id=\"a312f22\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Publications Books Largo, M. (Forthcoming). Unsettling Imaginaries: Decolonial Diaspora Aesthetic of Filipinx Artists in Canada.\u00a0University of Washington Press. Diaz, R., Largo, M. &amp; Pino, F. (2017).\u00a0Diasporic Intimacies: Queer Filipinos and Canadian Imaginaries. Evanston, Illinois: Northwestern University Press. Largo, M. (2008).\u00a0From the Pearl of the Orient to Uptown: A Collaborative Arts-Based Inquiry with Filipino Youth Activists [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-17","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/marissalargo.com\/new\/wp-json\/wp\/v2\/pages\/17","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marissalargo.com\/new\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/marissalargo.com\/new\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/marissalargo.com\/new\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marissalargo.com\/new\/wp-json\/wp\/v2\/comments?post=17"}],"version-history":[{"count":46,"href":"https:\/\/marissalargo.com\/new\/wp-json\/wp\/v2\/pages\/17\/revisions"}],"predecessor-version":[{"id":2174,"href":"https:\/\/marissalargo.com\/new\/wp-json\/wp\/v2\/pages\/17\/revisions\/2174"}],"wp:attachment":[{"href":"https:\/\/marissalargo.com\/new\/wp-json\/wp\/v2\/media?parent=17"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}