{"id":2045,"date":"2020-09-16T20:41:36","date_gmt":"2020-09-17T00:41:36","guid":{"rendered":"https:\/\/marissalargo.com\/new\/instalive-with-dr-marissa-largo-to-celebrate-international-womens-month-copy\/"},"modified":"2021-04-13T01:11:56","modified_gmt":"2021-04-13T05:11:56","slug":"mouvements-relations-capsule-identite-diasporique","status":"publish","type":"post","link":"https:\/\/marissalargo.com\/new\/mouvements-relations-capsule-identite-diasporique\/","title":{"rendered":"Movements: RELATIONS \u2013 On \u00abDiasporic Identity\u00bb"},"content":{"rendered":"\t\t
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In this short video from \u201cMovements: RELATIONS<\/a>\u201d, Marie-H\u00e9l\u00e8ne Lemaire, head of education at the PHI Foundation<\/a>, reflects on the question: how can the mythological figure represent diasporic identity? To this end, she discusses how the Dominican mythological figure of the ciguapa is re-imagined in the works of Firelei B\u00e1ez. In addition, with her guest Marissa Largo, she discusses the figure of the aswang, taken from Philippine folklore and reinterpreted in the works of Marigold Santos. Marissa Largo is the author of an essay on the work of Marigold Santos in our book \u201cRELATIONS: Diaspora and Painting\u201d (to be published in October 2020) and Assistant Professor of Art Education at the University of Nova Scotia College of Art and Design (NSCAD).<\/span><\/p>

Movements<\/em> is a tool designed by the PHI Foundation’s education team to encourage in-depth explorations of key concepts evoked by the works presented in our exhibition RELATIONS: Diaspora and Painting<\/em>. By highlighting points of conceptual departure, Movements<\/em> intends to inspire dialogue about the exhibition and encourage visitors to elaborate on the proposed themes through their personal interpretations and reflections. Over time, these concepts are subsequently enriched as they inform new contributions to our evolving conversations about art.<\/span><\/p>

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Dans cette capsule de \u00abMouvements: RELATIONS\u00bb, Marie-H\u00e9l\u00e8ne Lemaire, responsable de l\u2019\u00e9ducation \u00e0 la Fondation PHI, r\u00e9fl\u00e9chit \u00e0 la question: comment la figure mythologique peut-elle repr\u00e9senter l\u2019identit\u00e9 diasporique? Pour ce faire, elle traite de la mani\u00e8re dont la figure mythologique dominicaine de la ciguapa est r\u00e9imagin\u00e9e dans les \u0153uvres de Firelei B\u00e1ez.<\/p>

De plus, avec son invit\u00e9e Marissa Largo, elle \u00e9change sur la figure de l\u2019aswang tir\u00e9e du folklore philippin et r\u00e9interpr\u00e9t\u00e9e dans les \u0153uvres de Marigold Santos. Marissa Largo est autrice d\u2019un essai sur le travail de Marigold Santos dans notre ouvrage \u00abRELATIONS: la diaspora et la peinture\u00bb (parution pr\u00e9vue en octobre 2020) et professeure-assistante en \u00e9ducation de l\u2019art \u00e0 l\u2019Universit\u00e9 Nova Scotia College of Art and Design (NSCAD).<\/p><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Marissa Largo discusses the figure of the aswang, taken from Philippine folklore and reinterpreted in the works of Marigold Santos.<\/p>\n","protected":false},"author":1,"featured_media":2053,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"class_list":["post-2045","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/marissalargo.com\/new\/wp-json\/wp\/v2\/posts\/2045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marissalargo.com\/new\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/marissalargo.com\/new\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/marissalargo.com\/new\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marissalargo.com\/new\/wp-json\/wp\/v2\/comments?post=2045"}],"version-history":[{"count":23,"href":"https:\/\/marissalargo.com\/new\/wp-json\/wp\/v2\/posts\/2045\/revisions"}],"predecessor-version":[{"id":2075,"href":"https:\/\/marissalargo.com\/new\/wp-json\/wp\/v2\/posts\/2045\/revisions\/2075"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/marissalargo.com\/new\/wp-json\/wp\/v2\/media\/2053"}],"wp:attachment":[{"href":"https:\/\/marissalargo.com\/new\/wp-json\/wp\/v2\/media?parent=2045"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/marissalargo.com\/new\/wp-json\/wp\/v2\/categories?post=2045"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/marissalargo.com\/new\/wp-json\/wp\/v2\/tags?post=2045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}